Zitat von ahlborn im Beitrag #60

---

Hard to know. I'm afraid it's impossible without knowing the software details of the system. However, an experiment could be done (if the analog stages allow it): send a 48kHz signal through the aux in inputs, and check if it is correctly sent back through the audio out outputs.

---

I think I understand what you are asking: you would like the signal sent to the inputs to be routed exclusively to the internal amplification without being sent back to the external outputs as well.
Theoretically there would be a solution with a small compromise.
You can go to the menu Set Up, External Out Router, External input.
In this menu you can reduce the audio inputs to only two outputs of your choice and the incoming signal will be resent to only two channels out of the 20 available.
The compromise is that you have to give up two outputs and reconfigure the 18 available outputs, including the Sub outputs which must include only the 18 channels excluding the pair of outputs that include the Aux signal..

Zitat von ahlborn im Beitrag #62

---

I think I understand what you are asking: you would like the signal sent to the inputs to be routed exclusively to the internal amplification without being sent back to the external outputs as well.
Theoretically there would be a solution with a small compromise.
You can go to the menu Set Up, External Out Router, External input.
In this menu you can reduce the audio inputs to only two outputs of your choice and the incoming signal will be resent to only two channels out of the 20 available.
The compromise is that you have to give up two outputs and reconfigure the 18 available outputs, including the Sub outputs which must include only the 18 channels excluding the pair of outputs that include the Aux signal..

---

Unfortunately not..
Some time ago I asked my engineer friend if it was possible to exclude only a few stops from the internal amplification (I wanted to routing the Swell only with the external amplification, using the internal amplification for Great, Choir, Pedal).
Unfortunately it was not possible in any way: it would have been necessary a specific software update which would have cost more than the sub/super couplers alone cost..

best would be to have a simple matrix, like the one used in RME interfaces, where one can easily switch on/off all the inputs and outputs and route them wherever one wishes

Totalmix Matrix.gif - Bild entfernt (keine Rechte)

Zitat von DigitalPipes im Beitrag #44

---

For the voicing, however, while there is certainly the need to be able to tune the volume note by note (especially when installing the organ in a reverberant space - and that is possible already now), I do not think that being able to manipulate the voicing parametres note by note will bring a great advantage. Actually, such a feature would replicate only the painful phase of the voicing of real pipes. It would be good, instead, to be able to set the voicing parametres (scaling, cutup, etc) for each octave, in order to manipulate the tonal progression of the stop across the keyboard range. Along with the possibility to voice the mixtures rank by rank, choose their composition and repeat points.

---

Zitat von Flauten im Beitrag #66

---

Aber dennoch: Ich befürchte, wir müssen noch recht lange auf derartige "Spielereien" warten müssen . . .

---

Ja, Du hast recht, wir können schon ziemlich was rausholen aus unseren Instrumenten, so dass das Orgelspielen daruaf ziemlich viel Freude macht!
und ja, auch das basteln und optimieren unserer Instrumente macht richtig, richtig Spaß . . .
Drum werd ich jetzt 2 Meter nach links wandern und mich mit frisch heruntergeladenen Noten beschäftigen . . .

Mit herzlichem Gruß

Flauten

Zitat von DigitalPipes im Beitrag #57

---

This explains your previous statement.

In my case, replacing one DSP module was not enough to solve the problem of my Ouverture. I had to replace 2 of them while the organ was still in its factory default. Then I installed the patch with 3 (not 8…) octave couplers and I had to add another module. 3 out of 4 slots are now occupied and we are far away from the number of stops and couplers of a Unico 800.

Reduced DSP power is not just about sound dropouts. When the systems starts to lack resources, it cleverly chops off little stuff here and there. Not easy to hear this though…

---

Zitat von Michal im Beitrag #69

---

when they could have made twice as much money with four Quadro DSPs instead.

---

Zitat von @Ippenstein, Beitrag #19:
"die Register von HW und POS sowie die Koppeln und Fußpistons dazu getauscht. (Naja, die Fußpistons noch nicht, da es dafür eine Kabelverlängerung braucht). Während es rechts "nur" ein Umstecken des Kabelsalates gewesen ist, musste links mit harten Bandagen gekämpft werden."

Wenn auch sehr verspätet, auch von mir:
Ganz herzliche Glückwünsche zu dieser aufwendigen Tauschaktion der Register
von HW und POS!
HUT AB !
SO hätte ich das so gerne auch bei meiner Orgel, aber eine solche Aktion traue ich mich einfach nicht...

Viele Grüße
Bernhard

Did you change something in the reverb too? Sounds less lush than before…

Zitat von Ippenstein im Beitrag #74

---

Oder eventuell, weil ich die Ensemblefunktion und Air Pressure auf 3 zurückgenommen habe.

---