master paolo, who sits at the right hand of god (of edited physis sounds)

me, the lowest vintner at the vineyard of the lord

hätte sicherlich ein paar File(t)s - Bach, Dupre, Lemmens, Widor, (Fiedler)...

you name it - i have it ;-)

evtl müsste ich wissen auf welchem (MIDI) Kanal (bei den Mitstreitern) Hw und PW liegen - falls es da unterschiedliche Einstellungen gibt

Ich arbeite mit Cubase. Daher ist es für mich kein Problem, die Mididatei für mein Örgelchen passend zu machen.

I work with Midi Tool Box on an iPad and now have a great opportunity to learn it better should I need to adjust midi channel assignments! I've also got a few other midi apps I've never used so, one way or another, I'll get the LiVE 3TA file created.

Questions:
1) What format should the sound file be (lossless)?
2) What is the preferred way to share the resulting sound file?
3) How is the sample set/voicing style selected? Should the sample set/voicing style be in default mode with no edits/modifications?
4) Do I ask too many questions?

Vielleicht wäre es auch noch interessant, Organteq mit in den Vergleich aufzunehmen? Ich habe leider keine Lizenz und die Demo wird vermutlich nicht ausreichen.

Viele Grüße
Trompetendulzian

I testet the final page of Widors Toccata.... NO.

Much better Karg-Elert Ein Siegesgesang Israels
or Karg-Elert Nun danket alle Gott

I checked the Midi files, very useful.

Zitat von live3TA im Beitrag #22

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Questions:
1) What format should the sound file be (lossless)?
2) What is the preferred way to share the resulting sound file?
3) How is the sample set/voicing style selected? Should the sample set/voicing style be in default mode with no edits/modifications?
4) Do I ask too many questions?

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For the choice of pieces, I would opt for a piece that is "free" from peculiar articulation elements, because playing a midi file on an organ that has stops with a slow transient can give very different perceptions compared to an organ with a lively and pronounced attack.
So, according to it, fast pieces, various toccata's, etc. would be excluded.

One could think (this is just an example) of the initial chorale of the variations Sei Gegrüsset BWV768, and foresee a change of stops in each section of the chorale.
In my opinion, the choral lends itself well to being "reinterpreted" according to the characteristics of attack/timbre/release of each different instrument, without appearing too "artificial" or mechanical, being played from a midi file.
It also fits well with styles/samples other than Baroque.

Nun danket alle Gott

First page, ok. I will send you the files. Do you need it already cut or will you cut the file?